INFOEMAILINSTAGRAM 
DHWANI GARG
001WHAT IS THE PT?
MFA Thesis Publication + Website
002QUESTION QUILTS
Website + Pattern Design
003MFA EXHIBITION
Visual Identity + Catalog + Website
004FIRKI
Experimental Typeface Design
005A–Z FIRKI
Pattern Design
006CELLS AND CONDUITS
Printed Publication Design
007SURVEY ON BOOK OF BOOKS
Printed Publication Design
008PIXELUMINATE
Stencil Typeface Design
009EXCHANGE OF PERSPECTIVE
Printed Booklet Design
010SUBVERTING THE GRID
Printed Publication Design
011MEMORIES IN MOTION
Data Visualization Poster + Riso Poster
012MAX BLACK BAKERY
Visual Identity
013TYPOGRAPHY
Printed Wiki Pamphlet
014POSTER COLLECTION
Printed Poster Design
01550 ITERATION
Printed Poster Design
Projects have been documented and scanned in high resolution to showcase every intricate detail.
SUBVERTING THE GRID TYPOGRAPHY’S ROLE
IN GRAPHIC DESIGN DISRUPTION

Front cover, spine, selected spreads,
perfect bound, 7 x 10 in., 128 pp.

Access the full book here The publication delves into the intricate relationship between design history, stylistic innovation, and typography's role in challenging conventions within graphic design. It highlights movements like the Memphis Group and Constructivism, showcasing their cycles of popularity, decline, and revival. By understanding historical and socio-cultural contexts, designers can drive innovation, emphasizing that good design goes beyond aesthetics. Through examples like Shepard Fairey's Studio Number One, which appropriated Constructivist principles for luxury brands like Saks, the project underscores typography's power to subvert expectations and challenge norms. Typography emerges as a tool for pushing boundaries and shaping the visual landscape of the future by recontextualizing historical styles.